Prologue: Into The Tana-verse
If you’re outside Ireland or the UK, you may not recognize Tana French’s name. She’s a big deal here in her home country and well-known in the UK, but I don’t think she’s reached the same status in the US or elsewhere. Before I talk about her latest novel, The Wych Elm, I want to briefly look back at her past career and explain why I’ve avoided her books like the plague up until now.
The bulk of Tana French’s work has consisted of the Dublin Murder Squad novels, a series of loosely-connected crime stories about...well, guess. The novels reached a level of mainstream success as somewhat literary works that most pulpier detective yarns don’t tend to achieve, and the series’ stature was increased further by the BBC TV series adaptation Dublin Murders, which gave the first two books that modern True Detective treatment and garnered a fair bit of critical acclaim (it says a lot about the state of Irish media that the BBC were the ones behind the show).
I read the first Dublin Murder Squad book, In The Woods, after it came out in 2007 and to this day it’s one of the most frustrating reading experiences I’ve ever had. The book’s premise is immediately arresting: when the main character was a child he and two of his friends went missing in a local forest, and he was found that night traumatized into amnesia and covered in weird scratch marks while the other two kids were never found; now all grown up and a homicide detective, the protagonist takes on the murder of a young girl on the outskirts of the same forest when clues pop up suggesting her death might be related somehow to what happened to him all those years ago.
Let me tell you, I was all about this premise. The first half of the book kept me hooked with a series of tantalizing twists and clues: the main character starts to remember something creepy and possibly supernatural happening before the disappearance, other people come forward with stories of encountering a spooky giant bird in the woods, the present-day murder seems like it has ritualistic elements, there’s all sorts of local political intrigue involved…
And then it turns out the murder has nothing at all to do with what happened to the main character, which he never comes any closer to understanding except for someone finding a sharp metal thing in the woods that might explain the odd scratches.
At the time I was so annoyed by this that I seriously considered tearing the book up or setting it on fire or something. As I’ve gotten older, read more and taken up writing myself I’ve started to understand more what French was going for, especially in light of later entries in the series which apparently make a habit of dancing around supernatural elements to various degrees. But the one flaw I still can’t forgive is that the resolution of the present-day mystery, the thing that actually takes up the bulk of the novel, is incredibly uninteresting, the sort of bog-standard murder tale that would be underwhelming in an episode of CSI or Criminal Minds instead of a fairly chunky novel that takes multiple hours to get through. Long-time blog readers of mine will remember me saying that it’s okay for an author to promise one kind of story and then give their readers a different one as long as the story the reader actually gets is at least as interesting as the one they thought the were going to get; In The Woods is the source of that little adage.
So I avoided the later Dublin Murder Squad books even as their critical reception grew. But then French wrote a stand-alone novel, The Wych Elm, and in addition to having a really excellent cover design (I’m shallow, what can I say) the book ticked off several boxes for me: cool premise, similarities to my current real life circumstances, and it takes inspiration from a topic of interest. So I decided to take the plunge. Did The Wych Elm disappoint me again?
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